| Song | Never Ready to Leave |
| Artist | Sherwood |
| Album | A Different Light |
| Download | Image LRC TXT |
| 作曲 : Koch | |
| This room's been dusted | |
| And it's covered in prints from | |
| The month you spent with me. | |
| And I've catalogued it, | |
| Arranged the report with a chapter every week | |
| And I've studied sleepless | |
| Biting my nails and grinding my teeth. | |
| And I think I've had it, | |
| But that makes two of us, | |
| 'Cause you've had it with me. | |
| And here in the meantime, | |
| I'm a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, the loss of attraction. | |
| And I'll tell you the worst part: | |
| You're exactly the way that I thought you would be | |
| So I'll stay for the last call | |
| 'Cause I'll move away, but I'm never ready to leave. | |
| Whoa, whoa. | |
| I'll move away but I'm never ready to leave. | |
| This house is haunted | |
| But not in the way that you've always heard it said | |
| And I'll dust the attic | |
| No razor teeth making camp beneath your bed. | |
| But I've heard them walking late at night | |
| With twins of confusion and regret | |
| And they share ths stories of things that I have done | |
| That I'd rather just forget. | |
| Here in the meantime, | |
| I'm a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, the loss of attraction. | |
| And I'll tell you the worst part: | |
| You're exactly the way that I thought you would be | |
| So I'll stay for the last call | |
| So I'll move away but I'm never ready to leave. | |
| (I'll move away but I'm never ready to leave.) | |
| So this is how it feels to be 24 | |
| A theif without a key to an open the door | |
| Just peering through the window | |
| For any clue, | |
| Or anything explaining a part of you. | |
| I guess the real question is, I dont know, | |
| Is, why I am afraid of letting go? | |
| Why am I afraid of letting go? | |
| Here in the meantime, | |
| I'm a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, a loss of attraction. | |
| And I'll tell you the worst part: | |
| You're exactly the way that I thought you would be | |
| So I'll stay for the last call | |
| Cause I'd move away but I'm never ready to leave. | |
| Whoa, whoa | |
| Well I'll move away but I'm never ready to leave. | |
| Cause I'd move away but I'm never ready to leave. | |
| Well I'd move away but I'm never ready to leave. |
| zuo qu : Koch | |
| This room' s been dusted | |
| And it' s covered in prints from | |
| The month you spent with me. | |
| And I' ve catalogued it, | |
| Arranged the report with a chapter every week | |
| And I' ve studied sleepless | |
| Biting my nails and grinding my teeth. | |
| And I think I' ve had it, | |
| But that makes two of us, | |
| ' Cause you' ve had it with me. | |
| And here in the meantime, | |
| I' m a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, the loss of attraction. | |
| And I' ll tell you the worst part: | |
| You' re exactly the way that I thought you would be | |
| So I' ll stay for the last call | |
| ' Cause I' ll move away, but I' m never ready to leave. | |
| Whoa, whoa. | |
| I' ll move away but I' m never ready to leave. | |
| This house is haunted | |
| But not in the way that you' ve always heard it said | |
| And I' ll dust the attic | |
| No razor teeth making camp beneath your bed. | |
| But I' ve heard them walking late at night | |
| With twins of confusion and regret | |
| And they share ths stories of things that I have done | |
| That I' d rather just forget. | |
| Here in the meantime, | |
| I' m a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, the loss of attraction. | |
| And I' ll tell you the worst part: | |
| You' re exactly the way that I thought you would be | |
| So I' ll stay for the last call | |
| So I' ll move away but I' m never ready to leave. | |
| I' ll move away but I' m never ready to leave. | |
| So this is how it feels to be 24 | |
| A theif without a key to an open the door | |
| Just peering through the window | |
| For any clue, | |
| Or anything explaining a part of you. | |
| I guess the real question is, I dont know, | |
| Is, why I am afraid of letting go? | |
| Why am I afraid of letting go? | |
| Here in the meantime, | |
| I' m a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, a loss of attraction. | |
| And I' ll tell you the worst part: | |
| You' re exactly the way that I thought you would be | |
| So I' ll stay for the last call | |
| Cause I' d move away but I' m never ready to leave. | |
| Whoa, whoa | |
| Well I' ll move away but I' m never ready to leave. | |
| Cause I' d move away but I' m never ready to leave. | |
| Well I' d move away but I' m never ready to leave. |
| zuò qǔ : Koch | |
| This room' s been dusted | |
| And it' s covered in prints from | |
| The month you spent with me. | |
| And I' ve catalogued it, | |
| Arranged the report with a chapter every week | |
| And I' ve studied sleepless | |
| Biting my nails and grinding my teeth. | |
| And I think I' ve had it, | |
| But that makes two of us, | |
| ' Cause you' ve had it with me. | |
| And here in the meantime, | |
| I' m a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, the loss of attraction. | |
| And I' ll tell you the worst part: | |
| You' re exactly the way that I thought you would be | |
| So I' ll stay for the last call | |
| ' Cause I' ll move away, but I' m never ready to leave. | |
| Whoa, whoa. | |
| I' ll move away but I' m never ready to leave. | |
| This house is haunted | |
| But not in the way that you' ve always heard it said | |
| And I' ll dust the attic | |
| No razor teeth making camp beneath your bed. | |
| But I' ve heard them walking late at night | |
| With twins of confusion and regret | |
| And they share ths stories of things that I have done | |
| That I' d rather just forget. | |
| Here in the meantime, | |
| I' m a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, the loss of attraction. | |
| And I' ll tell you the worst part: | |
| You' re exactly the way that I thought you would be | |
| So I' ll stay for the last call | |
| So I' ll move away but I' m never ready to leave. | |
| I' ll move away but I' m never ready to leave. | |
| So this is how it feels to be 24 | |
| A theif without a key to an open the door | |
| Just peering through the window | |
| For any clue, | |
| Or anything explaining a part of you. | |
| I guess the real question is, I dont know, | |
| Is, why I am afraid of letting go? | |
| Why am I afraid of letting go? | |
| Here in the meantime, | |
| I' m a fly on the wall, and glued to the action. | |
| A twist in the plotline, | |
| A demand for a call, a loss of attraction. | |
| And I' ll tell you the worst part: | |
| You' re exactly the way that I thought you would be | |
| So I' ll stay for the last call | |
| Cause I' d move away but I' m never ready to leave. | |
| Whoa, whoa | |
| Well I' ll move away but I' m never ready to leave. | |
| Cause I' d move away but I' m never ready to leave. | |
| Well I' d move away but I' m never ready to leave. |